The Prodigy band logo (1996–1998)
In 1996, The Prodigy introduced a new band logo. The first logo from 1991 was loosely based on Peignot, redrawn and with a heavy outline added. It appeared flat on the debut album Experience (1992), and, from 1993 on, in a distorted variant that was also featured on the cover of the second album Music For The Jilted Generation (1994).
In the new logo, the article was dropped from the name. Enclosed in a cartouche and supplemented by a stylized ant, “Prodigy” was now rendered white on black, in outlined lowercase letters from Keedy Sans. This quintessential 1990s typeface with highly idiosyncratic forms was designed by Jeffery Keedy and released by Emigre in 1991. The logo was used for their third studio album from 1997 as well as the preceding single releases.
The Fat of the Land came out on 30 June 1997 by XL Recordings in the UK and on 1 July by Maverick Records in the US. It reached number 1 in 22 countries in the first week. In 1999, the album entered the Guinness World Records as the fastest-selling UK dance album. As of 2019, it has sold over 10 million copies worldwide.
In 1996, I travelled to Belgium for Rock Werchter. I came to see Beck and the Smashing Pumpkins, but stayed for the Prodigy. I hadn’t been much into electronic music before, but their performance (and also the ones by the Chemical Brothers and Daft Punk) changed that for good. A year later, I had the chance to see them again at V97 in Leeds. This was just mind-blowing. I can’t claim I became a real Prodigy fan – listening to the records wasn’t quite the same, and ultimately not my cup of tea – but that live show was unforgettable. From mea95dad’s report:
It was a highly impressive bill of bands that came together in the grounds of Temple Newsam stately home on August 16th as one half of the V97 festival. […] It’s been known for a long time that the Prodigy are the most vigorous and electrifying live act around today, but even by their standards tonight’s show was an absolute blinder. […] The greatest thing was the sheer volume of the effect. Instead of the usual pocket of fans going mental in front of the stage the feeling this time spread out, making people about 100 yards back from the stage move and dance along, whether they knew it or not. An incredible experience, and strangely tranquil, in spite of the volume. Keith and Maxim were giving it the usual manic display while blondie Liam went quietly bonkers inside his 3 or 4 walls of technology.
Here’s some video from the gig at the twin festival in Chelmsford the day after. Breathe the pressure / Come play my game I’ll test ya / Psychosomatic addict insane. In my memory, it was a lot louder.